mUltimate Chopin

Op. 10 No 4, Etude in C♯ minor

Text Compare Notes Sources Description
EE2
Main text
AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
compare
  b. 47-50

Fingering in AI

No fingering in FE (→GE)

Fingering written into FES

Fingering in EE

Our suggestion

In the main text we include the numeral added in bar 47 in FES and two which complete it, yet coming from AI. Fontana's fingering in EE diverts from Chopin's indications also in this place. Fontana gave two fingering variants.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Annotations in teaching copies, EE revisions, Annotations in FES

notation: Fingering

Go to the music

Original in: Royal Academy of Music, London