Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
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Op. 10 No 4, Etude in C♯ minor
GE1
compare
Main text
AI
- Working autograph
FE
- French edition
FE1
- First French edition
FE2
- Corrected impression of FE1
FED
- Dubois copy
FEJ
- Jędrzejewicz copy
FES
- Stirling copy
GE
- German edition
GE1
- First German edition
GE1a
- Corrected impression of GE1
GE2
- Second German edition
GE3
- Third German edition
GE4
- Fourth German edition
GE5
- Fifth German edition
EE
- English edition
EE2
- First English edition
EE3
- Corrected impression of EE2
EE4
- Revised impression of EE3
In the version prepared for print, Chopin preferred the more consistent texture and articulation. Cf. the Etude in A minor, No. 2, bars 3-4 and 16.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
notation: Pitch
