EE2
Main text
AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
compare
  b. 12

 in AI, literal reading

 in AI, contextual interpretation

 in FE (→GE,EE2)

, possible interpretation of FE (→GE,EE2)

 in FE (→GE,EE2), probable interpretation

 &  in EE3 (→EE4)

The  mark in AI is clearly valid from the beginning of the bar. In turn,  in FE (→GE,EE2), apart from the literal reading, can be interpreted in several ways, e.g., as  valid in this place or – which is more plausible – as  valid from the beginning of the bar. In the main text we propose the latter, being the resultant of both source notations (Cf. also analogous bar 62).
In EE3 (→EE4) an arbitrary  was added to  adopted from FE (near the end of the bar), probably on the basis of comparison with bar 62.  

Compare the passage in the sources »

See b. 1

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions, Centrally placed marks

notation: Verbal indications

Go to the music

Original in: Royal Academy of Music, Londyn