Pitch
b. 44-45
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composition: Op. 10 No 10, Etude in A♭ major
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The version of FE (→GE,EE) is undoubtedly a result of Chopin's proofreading. In an analogous place at the beginning of the previous bar, in A there are traces of deleting the g note, hence one can speak of Chopin's hesitation. category imprint: Differences between sources; Corrections & alterations |
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b. 49
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composition: Op. 10 No 10, Etude in A♭ major
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While proofreading FE (→GE,EE), Chopin added cautionary accidentals before g1 and g2. In the main text we give only the 1st of them. category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals , Authentic corrections of FE |
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b. 53
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composition: Op. 10 No 10, Etude in A♭ major
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In FE (→EE) the double flat was erroneously placed before the bottom note of the third. However, this patent inaccuracy was corrected only in GE. category imprint: Differences between sources issues: Errors in FE , GE revisions |
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b. 66
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composition: Op. 10 No 10, Etude in A♭ major
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Initially, the erroneous version of GE – with g1 – was also in FE, in which, however, this g1 was changed to b1 in the last proofreading. category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error , Authentic corrections of FE |
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b. 67
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composition: Op. 10 No 10, Etude in A♭ major
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Lack of the flat lowering c1 to c1 in the 2nd half of the bar in FE (→GE,EE) is probably an oversight of the engraver, who could have confused this bar with bar 65. category imprint: Differences between sources issues: Errors in FE |