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b. 8
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composition: Op. 10 No 10, Etude in A♭ major
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The version of FE1 is a result of the engraver's mistake in determining the range of the octave sign, which ends one quaver too early in this edition. Both in FE2 and in EE the error was corrected. In GE this sixth, also written with an octave sign, is actually on the correct pitch, yet the octave sign erroneously includes also the next quaver. category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors in GE , Authentic corrections of FE |
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b. 8
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composition: Op. 10 No 10, Etude in A♭ major
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The presence of the accent at the beginning of the bar in FE (→GE,EE) is probably a result of an inaccurately implemented Chopin's proofreading, in which all remaining accents on the 1st and 7th quavers in bars 5-8 were removed. However, it cannot be excluded that Chopin conserved this accent on purpose – to emphasise the local climax, provided in A with category imprint: Interpretations within context; Differences between sources; Editorial revisions |
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b. 8
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composition: Op. 10 No 10, Etude in A♭ major
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Omission of the category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 8-9
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composition: Op. 10 No 10, Etude in A♭ major
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The slur of FE (→GE,EE) is obviously erroneous – the engraver led the slur to the end of the line, as it is in A. At the same time, he did not pay attention to the difference in the text's division into great staves: in A the line ends with bar 8, while in FE – with bar 9. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 8
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composition: Op. 10 No 10, Etude in A♭ major
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A lacking category imprint: Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors of A |