mUltimate Chopin

Op. 10 No 10, Etude in A♭ major

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Pedalling

b. 23-26

composition: Op. 10 No 10, Etude in A♭ major

No pedalling in A

Pedalling in FE (→GE,EE)
..

The pedalling originates from Chopin's proofreading of FE (→GE,EE).

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 27-28

composition: Op. 10 No 10, Etude in A♭ major

 in A

in FE (→GE,EE)

suggested by the editors
..

The sole  mark written in A – the only one between bars 5 and 42 – was completed with a  mark at the end of bar 28 in a proofreading of FE (→GE,EE). According to us, while adding a  in this place, Chopin took into account only the part of the L.H., as a result of which he did not pay attention to the change of mode from major to minor. Therefore, in the main text we suggest an additional change of pedal at the beginning of this bar. Cf. bars 23-26 and 29-31. 

category imprint: Differences between sources; Editorial revisions

issues: Authentic corrections of FE , No pedal release mark

b. 29-31

composition: Op. 10 No 10, Etude in A♭ major

No pedalling in A

Pedalling in FE (→GE,EE)
..

The pedalling originates from Chopin's proofreading of FE (→GE,EE).

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 32

composition: Op. 10 No 10, Etude in A♭ major

No pedalling in A

Pedalling in FE (→GE,EE)
..

This bar ends the next section in which Chopin added the pedalling while proofreading FE (→GE,EE).

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 39-42

composition: Op. 10 No 10, Etude in A♭ major

No pedalling in A

Pedalling in FE (→GE,EE)
..

The pedalling was added – probably by Chopin – in a proofreading of FE (→GE,EE).

category imprint: Differences between sources

issues: Authentic corrections of FE