Pedalling
b. 4
|
composition: Op. 10 No 10, Etude in A♭ major
..
The missing mark is a patent error of the engraver of FE (→GE1,EE), corrected in subsequent GE,s. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions , No pedal release mark |
|||||
b. 7-8
|
composition: Op. 10 No 10, Etude in A♭ major
category imprint: Differences between sources issues: Authentic corrections of FE |
|||||
b. 15-16
|
composition: Op. 10 No 10, Etude in A♭ major
..
Pedalling was added by Chopin in a proofreading of FE (→GE,EE). See also the note on the lack of at the end of bar 16. category imprint: Differences between sources issues: Authentic corrections of FE |
|||||
b. 16
|
composition: Op. 10 No 10, Etude in A♭ major
..
In this context, the missing mark is undoubtedly a result of Chopin's inattention, who added pedalling in a proofreading of FE, or – which is more plausible – of the engraver implementing this proofreading. The mark was added both in GE and EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions , No pedal release mark |
|||||
b. 17-20
|
composition: Op. 10 No 10, Etude in A♭ major
..
These bars were not included in the random pedalling of A. Chopin added the indications while proofreading FE (→GE,EE). category imprint: Differences between sources issues: Authentic corrections of FE |