b. 36-44
|
composition: Op. 24 No. 1, Mazurka in G minor
..
The staccato signs visible in A in bars 36 and 44 should be considered wedges, although they are not so clear as in bars 38 and 46. In GE (→FE→EE) they were reproduced as dots. Cf. the remark to bar 1. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE |
||||||
b. 36
|
composition: Op. 24 No. 1, Mazurka in G minor category imprint: Differences between sources issues: Errors in GE |
||||||
b. 36-37
|
composition: Op. 24 No. 1, Mazurka in G minor
..
The slur in A (→GE) begins on the 1st note of bar 37. Correcting FE (→EE), Chopin moved the beginning of the slur one crotchet earlier. Cf. similar slur corrections in bar 18 and analogous bars, and also in the Mazurka in C Op. 24 no. 2, bars 58-59 & analog. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
||||||
b. 36-44
|
composition: Op. 24 No. 1, Mazurka in G minor
..
In bars 36 and 44 in A, the asterisk is written between the 2nd and the 3rd crotchet. In GE1 (→FE→EE) it was moved and placed under the nearest chord: on the 3rd beat in bar 36 and on the 2nd beat in bar 44. In GE2 (→GE3) the pedalling was made uniform, and the moved under the 3rd crotchet. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
||||||
b. 37-45
|
composition: Op. 24 No. 1, Mazurka in G minor
..
We add a cautionary before b flat in the last chords of bars 37 and 45. This sign was already added in GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: GE revisions |