b. 37
|
composition: Op. 24 No. 1, Mazurka in G minor category imprint: Differences between sources issues: Inaccuracies in GE |
||||||||||||
b. 38-46
|
composition: Op. 24 No. 1, Mazurka in G minor
..
The staccato wedges written very carefully in bars in 38 and 46 in A were reproduced as dots in GE (→FE→EE). Cf. the note to bar 1. category imprint: Differences between sources issues: Inaccuracies in GE |
||||||||||||
b. 38
|
composition: Op. 24 No. 1, Mazurka in G minor
..
In GE1 (→FE→EE) the originally written in by Chopin was omitted, probably by mistake. It was later added again in GE2 (→GE3). category imprint: Differences between sources issues: Inaccuracies in GE |
||||||||||||
b. 38
|
composition: Op. 24 No. 1, Mazurka in G minor
..
The hairpins in A are visibly longer than those in GE (→FE→EE). Their exact extent is different in each edition. The shortest sign - that in EE – practically resembles an inverted accent. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
||||||||||||
b. 38-41
|
composition: Op. 24 No. 1, Mazurka in G minor
..
The slurs that appear at the transition between bars 38-39 and 40-41 are drawn in a manner that makes them ambiguous. In the main text we give the interpretation of the slurs of A, confirmed by the addition made in FES. The slurs of GE offer another possible interpretation of A. We interpret the unclear slurs of FE in the manner that is closer to the notation of A; a different option was chosen in EE (based on FE). category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Inaccuracies in GE , Inaccuracies in FE , Inaccurate slurs in A |