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Fingering

b. 22

composition: Op. 10 No 9, Etude in F minor

No fingering in AI & A

Fingering in FE (→GE)

..

Chopin's fingering in bar 22, both in the R.H. and the L.H. was added in a proofreading of FE (→GE). In EE the fingering of the L.H. was added by Fontana (also in the next bars), what is more, he changed one of the digits given by Chopin.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE

b. 23-28

composition: Op. 10 No 9, Etude in F minor

No fingering in AI & A (→FEGE)

Fingering in EE

..

In EE the fingering is marked also in these bars. Fontana develops the composer's hints, yet he also suggests some unobvious solutions – cf. bar 22.

category imprint: Differences between sources

issues: EE revisions

b. 23

composition: Op. 10 No 9, Etude in F minor

Fingering written into FED

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 24-25

composition: Op. 10 No 9, Etude in F minor

Fingering written into FED

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 29-32

composition: Op. 10 No 9, Etude in F minor

No fingering in AI & A

Fingering in FE (→GE)

..

The fingering in the L.H. in bars 29-31 was added by Chopin in a proofreading of FE (→GE,EE). In EE the indications of bar 31 were also repeated in bar 32.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE