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Fingering

b. 37-48

composition: Op. 10 No 9, Etude in F minor

No fingering in AI & A

Fingering in FE (→GE)

..

In bars 37, 45 and 48 Chopin added '4' digits in a proofreading of FE (→GE), resembling the basic fingering scheme of the Etude. In EE Chopin's hints were completed in bars 37-45, adding 18 fours under notes.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE

b. 39

composition: Op. 10 No 9, Etude in F minor

Fingering written in FED

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 50

composition: Op. 10 No 9, Etude in F minor

Fingering in FE (→GE)

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE

b. 51-53

composition: Op. 10 No 9, Etude in F minor

No fingering in AI & A

Fingering in FE (→GE)

..

Chopin added the fingering while proofreading FE (→GE). In EE Fontana completed it in bars 51 and 53. The digit added at the end of bar 51 does not stem from Chopin's indications.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE

b. 57-63

composition: Op. 10 No 9, Etude in F minor

No fingering in AI & A

Fingering in FE (→GE)

..

Chopin added the digit '4' in the 2nd half of bar 57 at the time of proofreading FE (→GE). In EE Fontana added '3' on the 2nd semiquaver in this bar and repeated this fingering scheme (3-4) in the next six bars.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE