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b. 34
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composition: Op. 10 No 9, Etude in F minor
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The accent in A may be regarded as short, and that is how it was reproduced in the editions. However, the mark is shifted to the right of the note which suggest the intended use of a long accent. A clear long accent is written in AI. category imprint: Interpretations within context; Differences between sources issues: Long accents |
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b. 36-37
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composition: Op. 10 No 9, Etude in F minor
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The deceleration preparing the return of the main theme of the Etude (the indications poco rall. and a tempo) is not marked in AI. category imprint: Differences between sources; Corrections & alterations |
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b. 36
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composition: Op. 10 No 9, Etude in F minor
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In the pedalling of bars 29-36, added in a proofreading of FE, the last category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , No pedal release mark |
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b. 37-48
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composition: Op. 10 No 9, Etude in F minor
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In AI there is the indication come sopra, written several times on the lower stave, which in this context undoubtedly refers to bars 1-12 and means repetition of the notation of the part of the L.H. of these bars in bars 37-48. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 37-48
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composition: Op. 10 No 9, Etude in F minor
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In bars 37, 45 and 48 Chopin added '4' digits in a proofreading of FE (→GE), resembling the basic fingering scheme of the Etude. In EE Chopin's hints were completed in bars 37-45, adding 18 fours under c notes. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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