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b. 56
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composition: Op. 10 No 9, Etude in F minor category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 56
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composition: Op. 10 No 9, Etude in F minor
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Both in AI and A the slur beginning in this bar may be understood as embracing only the semiquavers or the entire motif. In FE (→GE,EE) it was the first possibility that was adopted, while according to the editors of mUltimate Chopin, it is the second one that is more likely – cf. bar 28. category imprint: Interpretations within context; Differences between sources issues: Inaccurate slurs in A |
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b. 56
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composition: Op. 10 No 9, Etude in F minor
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The rhythm of AI is the original version. category imprint: Differences between sources; Corrections & alterations |
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b. 56-58
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composition: Op. 10 No 9, Etude in F minor
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The slurs in bars 57-58 (with the last quaver in bar 56) adopted to the main text are a result of Chopin's proofreading of FE (→GE,EE). In A the only marks which could indicate articulation in this section appear in the 1st half of bar 57. We interpret them as a dot and slur, although their meaning is uncertain. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 57-63
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composition: Op. 10 No 9, Etude in F minor
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Chopin added the digit '4' in the 2nd half of bar 57 at the time of proofreading FE (→GE). In EE Fontana added '3' on the 2nd semiquaver in this bar and repeated this fingering scheme (3-4) in the next six bars. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |