Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 10 No 9, Etude in F minor
Both in AI and A the slur beginning in this bar may be understood as embracing only the semiquavers or the entire motif. In FE (→GE,EE) it was the first possibility that was adopted, while according to the editors of mUltimate Chopin, it is the second one that is more likely – cf. bar 28.
The mark in AI is the only slur written in this manuscript from bar 37.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Inaccurate slurs in A
notation: Slurs
