Issues : Errors of GC
b. 144
|
composition: Op. 38, Ballade in F major
..
In A (→GC,FE) the raising c2 to c2 is only written before the 8th semiquaver. The accidental before the 2nd semiquaver was added in EE and GE, but only EE removed the then superfluous in the 2nd half of the bar. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of GC , Errors repeated in FE |
|||
b. 144
|
composition: Op. 38, Ballade in F major category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of GC |
|||
b. 153-154
|
composition: Op. 38, Ballade in F major
..
GC and EE overlook the slur in the L.H. Despite the error of GC, the revisers of GE added the slur after analogous bars 145-146, which do not raise any doubts. category imprint: Differences between sources issues: Errors in EE , GE revisions , Errors of GC |
|||
b. 154
|
composition: Op. 38, Ballade in F major
..
As a result of misinterpretation of the octave sign, GC (→GE) and FE1 erroneously notate the first two semiquavers of the 2nd half of the bar an octave higher – e3-c3 instead of e2-c2. The error was corrected in FE2 (→FE3), most probably by Chopin. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of FE , Errors of GC |
|||
b. 155
|
composition: Op. 38, Ballade in F major
..
The lack of slur under the bass progression results most likely from an oversight of the copyist in GC (→GE) and the engraver of EE. category imprint: Differences between sources issues: Errors in EE , Errors of GC |