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Issues : Inaccuracies in GC
b. 79
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composition: Op. 38, Ballade in F major
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In A the slur in the L.H. begins already over the rest, and in GC even before. It is an example of Chopin's frequent manner of writing sweeping slurs (cf. e.g. the slurs in Mazurkas, Op. 24), as well as Gutmann's characteristic imprecision in this domain of notation. category imprint: Graphic ambiguousness; Source & stylistic information issues: Inaccurate slurs in A , GE revisions , Inaccuracies in GC |
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b. 86
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composition: Op. 38, Ballade in F major
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The topmost note of the last chord in the R.H. was certainly corrected in GC from a1 to b category imprint: Graphic ambiguousness; Corrections & alterations; Source & stylistic information issues: Inaccuracies in GC , Alterations in GC |
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b. 89-92
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composition: Op. 38, Ballade in F major
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In GC bars 89-90 end the line of text. This caused the copyist to have erroneously omitted the opening part of the slur – he wrote only the ending fragment in bars 91-92. In GE this fragmentary slur was overlooked or omitted. For the joining of the slur in FE to the preceding one see the note in bar 88. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Errors in GE , Inaccuracies in GC , Errors of GC |
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b. 90
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composition: Op. 38, Ballade in F major
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The bottom note of the penultimate chord in the R.H. was certainly corrected in GC, probably from d1 to e1. It is hard to state clearly whether it is Gutmann's own correction or whether it was Chopin that noticed and corrected the wrong pitch while reviewing GC. Cf. the note in bar 13. category imprint: Graphic ambiguousness; Corrections & alterations; Source & stylistic information issues: Inaccuracies in GC , Alterations in GC |
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b. 92-93
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composition: Op. 38, Ballade in F major
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The shortening of the category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins , EE inaccuracies , Inaccuracies in GC |