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Issues : EE inaccuracies
b. 69-70
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composition: Op. 38, Ballade in F major
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In FE1 there is no slur in the L.H., which was corrected in FE2 (→FE3). category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Errors resulting from corrections , EE inaccuracies , Authentic corrections of FE , Inaccuracies in GC |
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b. 92-93
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composition: Op. 38, Ballade in F major
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The shortening of the category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins , EE inaccuracies , Inaccuracies in GC |
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b. 92-94
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composition: Op. 38, Ballade in F major
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The ending of slur in bar 94 is unclear in A – Chopin probably meant a "tenuto slur" as in the first half of bar 92. However, it cannot be ruled out that it is the shorter slur in FE and EE which correctly conveys Chopin's intention. The earlier beginning of slur in GC (→GE) is certainly a result of copyist's inattentiveness. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , GE revisions , EE inaccuracies , Inaccuracies in GC |
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b. 95-97
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composition: Op. 38, Ballade in F major
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The slurring in A in bars 95-97, similarly as in the previous bars, was misrepresented by the copyist and engravers – in GC and EE the slur from bar 95 does not reach bar 96, and in FE the overlapping slurs were interpreted as one slur. In GE the ending of a tenuto slur in bar 97 was misinterpreted by extending it towards the first chord in bar 98. category imprint: Differences between sources issues: Inaccurate slurs in A , EE inaccuracies , FE revisions , Inaccuracies in GC |
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b. 95
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composition: Op. 38, Ballade in F major
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The typical long accent in A was misrepresented in FE (as a diminuendo hairpin) and EE (as a short accent). In GC (→GE) the sign was overlooked. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in FE , EE inaccuracies , Errors of GC |