b. 142
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composition: Op. 38, Ballade in F major
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In A (→GC) bar 142 was divided into two lines. It is probably due to this issue that the copyist forgot to continue the slur in the L.H. in the 2nd half of the bar. In GE the slur was extended to the last semiquaver. category imprint: Interpretations within context issues: GE revisions , Inaccuracies in GC , Uncertain slur continuation |
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b. 142
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composition: Op. 38, Ballade in F major
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A (→GC,FE1→FE2) has no raising c1 to c1 in the L.H. The patent Chopin's oversight was corrected in EE, FE3 and GE. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , Cautionary accidentals , Omission of current key accidentals , FE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 143
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composition: Op. 38, Ballade in F major
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Visible in A are deletions of octaves forming a motif as in bar 149 or 151. Chopin presumably made a mistake by thinking too far ahead. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 144
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composition: Op. 38, Ballade in F major
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In A (→GC,FE) the raising c2 to c2 is only written before the 8th semiquaver. The accidental before the 2nd semiquaver was added in EE and GE, but only EE removed the then superfluous in the 2nd half of the bar. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of GC , Errors repeated in FE |
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b. 144
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composition: Op. 38, Ballade in F major category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of GC |