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b. 99

composition: Op. 38, Ballade in F major

 in A (→GCGE)

No sign in FE & EE

..

FE and EE overlooked  over the 2nd half of bar. In GE it was moved between the staves.

category imprint: Differences between sources

issues: Inaccuracies in FE , Placement of markings , GE revisions , EE inaccuracies

b. 99

composition: Op. 38, Ballade in F major

Dots in A (→FE,EE) & GE

No dots in GC

..

GC overlooks the extending dots next to c1-e1 crotchets on the 2nd beat in the R.H. GE corrected this oversight.

category imprint: Interpretations within context

issues: Inaccuracies in GC

b. 100

composition: Op. 38, Ballade in F major

..

In FE1,  the 2nd crotchet in the bottom R.H. voice is printed on the level of c1 but because it has no ledger line it looks like d1. The omitted line was already added in FE2.

category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources

issues: Errors in FE , Authentic corrections of FE

b. 101-102

composition: Op. 38, Ballade in F major

 in EE

..

The lack of dynamic hairpins in GC (→GE) and FE ( ), and in EE () results from a misleading notation in A, where those signs can be mistaken for fragments of L.H. slurs.

category imprint: Differences between sources

issues: Inaccuracies in FE , EE inaccuracies , Inaccuracies in GC

b. 101

composition: Op. 38, Ballade in F major

..

In A (→GC,FE1FE2) there is no  lowering a to a in the L.H. The undoubted oversight by Chopin was corrected in EE, GE and FE3.

category imprint: Interpretations within context; Differences between sources

issues: Errors of A , FE revisions , Errors repeated in FE