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Issues : Deletions in A
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b. 196
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composition: Op. 38, Ballade in F major
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In front of the b category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: EE revisions , Deletions in A , FE revisions , Authentic corrections in GC |
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b. 197
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composition: Op. 38, Ballade in F major
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In the main text we add cautionary naturals before a and b in the L.H., and a2 and b2 in the R.H. The cautionary naturals were also added in GE1 (before b2), and further ones in GE2 (→GE3) – before a, a1 and a2. category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information issues: Corrections in A , GE revisions , Cautionary accidentals , Deletions in A |
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b. 202-204
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composition: Op. 38, Ballade in F major
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The ending of the Ballade has a few versions proving Chopin's hesitations. We present them below in a chronological order:
As it can be seen, Chopin had two main concepts of the Ballade's endings, "open" and "close." According to us, it is the version No. 1 that presents the first of them in the most thoughtful manner, while in the case of the latter it is the version No. 4. In the main text we give the version No. 1, enriched with variant, characteristic for Chopin grace note added in GC. category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Chopin's hesitations , Errors resulting from corrections , Terzverschreibung error , Deletions in A , Authentic corrections of FE , Errors of GC , Authentic corrections in GC |
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