Issues : Inaccuracies in GC
|
b. 187
|
composition: Op. 38, Ballade in F major category imprint: Differences between sources issues: Inaccuracies in GC |
|||||||||||
|
b. 191
|
composition: Op. 38, Ballade in F major
..
In GC the 7th semiquaver in the R.H. was erroneously combined with the group of semiquavers from the 1st half of bar. This also resulted in wrong slurring – the slurs embrace 7 and 5 semiquavers. GE did not repeat those errors. category imprint: Source & stylistic information issues: Inaccuracies in GC |
|||||||||||
|
b. 193-194
|
composition: Op. 38, Ballade in F major
..
In GC (→GE), the missing second slur in bar 193 is undoubtedly an oversight. The second slur in bar 194 encompasses – in distinct contrast to A – the entire 2nd half of the bar. Three-note slurs in the 2nd halves of these bars occur also in EE. The slurs in A pertain clearly to the last two quavers, and their relatively long ends were presumably meant to distinguish them from semiquaver beams in the R.H. category imprint: Differences between sources issues: EE revisions , Errors in FE , Inaccuracies in GC , Errors of GC |
|||||||||||
|
b. 195-196
|
composition: Op. 38, Ballade in F major
..
The four accents in A, although rather big, are nonetheless distinctly shorter than long accents e.g. in bars 39, 41-43 or 68. In GC accents are much longer what was reproduced in GE (the marks in GE are longer than accents in e.g. bars 179-180 or 184). FE has long accents as well, but EE arbitrarily replaced them with vertical accents. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE revisions , Inaccuracies in FE , Inaccuracies in GC |
