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Issues : GE revisions
b. 135-136
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composition: Op. 38, Ballade in F major category imprint: Differences between sources issues: GE revisions |
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b. 136
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composition: Op. 38, Ballade in F major
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It is not entirely clear what staccato marks were intened by Chopin in this bar. They resemble dots In A despite being bigger than usual – possibly Chopin emboldened them to make them better visible, or changed wedges for dots. FE read them as wedges (except for the omitted L.H. mark), GC and EE – as dots (in the copy the L.H. mark was omitted, and reinstated in GE. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , GE revisions , Wedges , Inaccuracies in GC |
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b. 137
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composition: Op. 38, Ballade in F major category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 138-139
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composition: Op. 38, Ballade in F major
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In the editors' opinion, e2 in A (→GC,FE1,EE), although possible from harmonic point of vue, results probably from Chopin's inadvertence. In any case, the almost certainly authentic correction of FE2 (→FE3) urges to acknowledge e category imprint: Differences between sources; Editorial revisions issues: GE revisions , Errors of A , Authentic corrections of FE |
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b. 142
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composition: Op. 38, Ballade in F major
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In A (→GC) bar 142 was divided into two lines. It is probably due to this issue that the copyist forgot to continue the slur in the L.H. in the 2nd half of the bar. In GE the slur was extended to the last semiquaver. category imprint: Interpretations within context issues: GE revisions , Inaccuracies in GC , Uncertain slur continuation |