Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 38, Ballade in F major
In all editions, small discrepancies notwithstanding, the 
hairpin is distinctly shorter than in manuscripts. It attests, in our opinion, to the routine approach of engravers, who tried to adjust the range of the sign to elements of the notation related to the rhythmical structure, like notes or bars.
Compare the passage in the sources »
category imprint: Differences between sources
issues: EE revisions, Scope of dynamic hairpins, GE revisions, FE revisions
notation: Articulation, Accents, Hairpins
