Pedalling
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b. 9-24
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composition: Op. 42, Waltz in A♭ major category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of EE |
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b. 41-46
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composition: Op. 42, Waltz in A♭ major
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The lack of pedalling in EE in bars 41-44 is most probably due to an oversight—these bars, which begin a new musical thought, are last on the page, while the preceding fragment is written without pedal markings. The inadvertence could have happened to the engraver of EE or Chopin himself while preparing the Stichvorlage for EE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of EE |
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b. 47
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composition: Op. 42, Waltz in A♭ major
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In the main text we adopt the pedalling of FE. In EE the category imprint: Differences between sources |
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b. 48-56
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composition: Op. 42, Waltz in A♭ major
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In FE there is no pedalling in bars 48-51 (it is to be found only in bars 55-56). There is no reason to doubt the authenticity of the pedalling in EE even though it could result from Chopin's mistake—while preparing the basis for EE the composer has presumedly written the pedalling into bars 45-51 (the first line of text on the second page of FE and EE) mistaking them for bars 41-47. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of EE |
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b. 57-88
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composition: Op. 42, Waltz in A♭ major
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The pedalling on this page of Waltz (in bars 57-71 and 87-88) is only in EE. There is no reason to doubt its authenticity. category imprint: Differences between sources issues: Authentic corrections of EE |
sign was placed slightly earlier, under the 3rd crotchet.
