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Issues : Errors in FE
b. 55-56
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composition: Op. 10 No 3, Etude in E major
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Lack of the tie of f category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 55
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composition: Op. 10 No 3, Etude in E major
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d1 as the 4th semiquaver of the bottom voice in the R.H. is a patent error of FE1 (→GE1,EE2→EE3). category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE |
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b. 56-57
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composition: Op. 10 No 3, Etude in E major
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In bar 56 the earlier start of the slur in FE (→GE,EE; overlooked in EE2) seems to be an inaccuracy of the engraver, in spite of the fact that it is compatible with – according to us, apparently – lack of tie of f category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions |
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b. 56
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composition: Op. 10 No 3, Etude in E major
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The staccato dots on the 2nd and 3rd quavers visible in AI is the original version of the articulation, replaced in A by a slur and a dot. Moreover, in A Chopin provided the first quaver in the bar, B, with a wedge. Lack of both staccato signs in the editions is probably a mistake, yet it could have been accepted by Chopin. category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Wedges |
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b. 58-60
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composition: Op. 10 No 3, Etude in E major
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In A, all g-f
In FE (→EE) last two separated notes have separate stems instead of a quaver beam. The notation of GE is similarly inaccurate, yet it is only f category imprint: Differences between sources issues: Errors in FE , Errors in GE , GE revisions |