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Slurs

b. 21-23

composition: Op. 10 No 3, Etude in E major

Slurs in AI

Slur in A (→FEGE,EE)

..

Two slurs of AI is a certain germ of slurring, changed and developed in A (→FEGE,EE).

category imprint: Differences between sources; Corrections & alterations

b. 29

composition: Op. 10 No 3, Etude in E major

No slur in AI & EE2

Slur in FE (→GE) & EE3 (→EE4), contextual interpretation of A

..

The ending of the slur in bar 29 in A is unclear – the slur at the end of the great stave suggests continuation, yet in the new great stave the slur in bar 30 clearly starts from the beginning of the bar. According to us, the interpretation adopted in FE (→GE,EE; in EE2 the slur was overlooked) is correct. 

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccurate slurs in A

b. 30-35

composition: Op. 10 No 3, Etude in E major

No slurs in AI & EE2

Slurs in A (→FEGE) & EE3 (→EE4)

..

In EE2 there are no slurs over bars 30-31 and 34-35. It is one of numerous oversights of this impression, corrected in the next one. AI does not have slurs in the entire fragment (bars 30-41).

category imprint: Differences between sources

issues: Errors in EE

b. 32-33

composition: Op. 10 No 3, Etude in E major

..

In EE2 there are no slurs in the L.H. starting from the second slur in bar 32. The signs were added in EE3 (→EE4), except for the slur at the transition between the bars.

category imprint: Differences between sources

issues: Errors in EE

b. 33

composition: Op. 10 No 3, Etude in E major

R.H. staccato dots in A

Dots under slur in FE (→GE,EE)

..

The slur over the dots in the part of the R.H. and the slur and dots in the L.H. were added, certainly by Chopin, in a proofreading of FE (→GE,EE). Similarly in bar 37.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE