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Issues : Inaccuracies in FE
b. 14-16
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composition: Op. 10 No 3, Etude in E major
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In AI there is none of the indications written in A (→FE→EE,GE1→GE1a→GE2) in these bars, yet there is a category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in GE , Inaccuracies in FE |
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b. 17
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composition: Op. 10 No 3, Etude in E major
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The way in which the category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE , fz – f |
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b. 18-19
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composition: Op. 10 No 3, Etude in E major
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Omission of extensions of some of the bass notes is most probably a result of the engraver's inattention or of a misinterpretation of the notation (Chopin simplified notation is formally erroneous, as the rhythmic values of these crotchets do not fit in the bar). Chopin used a similar notation also in bars 20 and 71-76. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 18
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composition: Op. 10 No 3, Etude in E major
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According to us, the missing category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 20
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composition: Op. 10 No 3, Etude in E major
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Same as in bars 18-19, we consider the lack of extensions the E note in FE (→GE,EE) as an inaccuracy. In the main text we change the second crotchet for a quaver, as the hold to the next bar is already written with a tie. category imprint: Differences between sources issues: Inaccuracies in FE |