Verbal indications
b. 7
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composition: Op. 10 No 3, Etude in E major category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 8
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composition: Op. 10 No 3, Etude in E major
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The indications ten. and ritenuto were added by Chopin in a different time – the first already in A, while the second only in a proofreading of FE (→GE,EE). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 14-16
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composition: Op. 10 No 3, Etude in E major
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In AI there is none of the indications written in A (→FE→EE,GE1→GE1a→GE2) in these bars, yet there is a sign in bar 16. The editions overlooked the dashes determining the range of the indications, which is a frequent mistake in the first editions of Chopin's works. In GE3 (→GE4→GE5) there is no "e" conjunction before ritenuto in bar 16. category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in GE , Inaccuracies in FE |
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b. 17
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composition: Op. 10 No 3, Etude in E major
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The way in which the indication is written in A makes a misinterpretation highly likely. Due to this fact, in the main text we give preference to this version. Apart of the change of to in FE (→GE,EE), the ten. indication for the chord in the L.H. was omitted (the indication for the R.H. was reproduced in accordance with A), which reinforces the conviction about the engraver's inattention. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE , fz – f |
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b. 17
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composition: Op. 10 No 3, Etude in E major
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Lack of a separate ten. for the L.H. is most probably a result of an inattention of the engraver of FE (→GE,EE). category imprint: Differences between sources issues: Errors in FE |