Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 10 No 3, Etude in E major
It is not entirely clear, which accent – short or long – Chopin had in mind in bar 4, while writing A. According to us, due to the melodic context, it is the long accent that is more plausible, yet it is worth observing that the accents in the L.H. in bars 1-2 are shorter from the discussed accent in bar 4. The problem is even more evident in bar 12.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources
issues: Long accents
notation: Pitch
