mUltimate Chopin

Op. 10 No 3, Etude in E major

Text Compare Notes Sources Description
A
Main text
AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
compare
  b. 60-61

Two-voice notation in AI

Single-voice notation in A

FE (→GE,EE)

The fact of rejecting the two-part notation is an example of Chopin's striving for simplicity and economy of the notation, so characteristic for him. At the beginning of bar 60 in FE (→GE,EE), there is no stem combining f to e1, which is almost certainly a mistake.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Inaccuracies in FE

notation: Rhythm

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