Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 10 No 3, Etude in E major
Both autographs lack some of the necessary naturals in this bar, although these which are included allow for a clear interpretation of the text:
-
in AI there is no sign before c2 in the 3rd chord in the R.H., while the
before c is unnecessarily repeated on the 6th semiquaver in the bar (due to the brief notation of the octave, the sign concerns also the bottom C); -
in A there is no before the bottom C at the 2nd semiquaver, while the only sign in the part of the R.H. is a before c2 in the last chord.
The necessary signs were added in FE (→GE,EE), while in GE4 (→GE5), the unnecessary at the end of the bar was removed.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Accidentals in different octaves, GE revisions, Omission of current key accidentals, Authentic corrections of FE, Inaccuracies in A
notation: Pitch
