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Issues : Authentic corrections of FE
b. 4
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composition: Op. 10 No 7, Etude in C major
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Before the 7th semiquaver in A there is no category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE |
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b. 6-8
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composition: Op. 10 No 7, Etude in C major
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Chopin added a slur in bars 7-8 at the time of proofreading FE (→GE,EE). According to us, the proofreading's goal was to extend the slur from bar 6 and the applied solution is of a simplified nature – extending a slur required much more workload of the engraver, thus Chopin could have felt embarrassed to require such a change in a place which, actually, was printed in accordance with the base text. See the remark concerning extending the slur of A in bars 2-3. Cf. bars 14-15. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 6
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composition: Op. 10 No 7, Etude in C major
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A has only a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Authentic corrections of FE , Hairpins denoting continuation |
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b. 10
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composition: Op. 10 No 7, Etude in C major
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In A there is no category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE |
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b. 11
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composition: Op. 10 No 7, Etude in C major
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In A Chopin overlooked the category imprint: Differences between sources issues: Errors of A , Authentic corrections of FE |