Page: 
Source: 
p. 2, b. 17-34
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-53
GE1 - First German edition
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Graphic ambiguousness
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No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 32-33

f1 & f1 in A

g1 & f1 in FE (→EE2EE3)

Our suggestion based on FE

g1 & f1 in GE & EE4

In A the last note in the 1st half of bar 32 is f1, after which three naturals follow: before f2 in the next chord and before f1 at the end of this and next bars. In a proofreading of FE (→GE,EE) Chopin changed fto g1 and deleted the already unnecessary  before f2. In FE (→EE2EE3) the accidental before the last note in bar 32 was also removed, however, the remaining traces suggest that it was a  and not a . The assumption is confirmed by fappearing in this place in GE (and EE4). In the main text we give the undoubtedly final notation of FE.

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category imprint: Differences between sources; Editorial revisions

issues: EE revisions, Errors in FE, GE revisions, Enharmonic corrections, Authentic corrections of FE

notation: Pitch

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1