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Issues : Annotations in teaching copies
b. 3
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composition: Op. 10 No 6, Etude in E♭ minor
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The fingering in the L.H. was added by Chopin during a proofreading of FE (→GE,EE). Chopin suggests here a different, slightly more demanding finger arrangement than at the beginning of the piece. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Annotations in FES , Authentic corrections of FE |
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b. 12
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composition: Op. 10 No 6, Etude in E♭ minor
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The meaning of the mark (marks?) visible in FEJ is uncertain. The mark over e category imprint: Differences between sources |
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b. 17
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composition: Op. 10 No 6, Etude in E♭ minor
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In FE (→GE) the lower digit of the last triad's fingering in the R.H. (4) seems to be erroneous, which is proved by a correction performed by Chopin in this place in FES. A similar change was introduced by Fontana in EE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FES |
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b. 18
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composition: Op. 10 No 6, Etude in E♭ minor
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In A (→FE→GE1→GE2→GE3→GE4) there is no category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Annotations in FES |
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b. 18-19
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composition: Op. 10 No 6, Etude in E♭ minor
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In A (→FE) Chopin omitted the naturals raising B category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Annotations in FES |