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Issues : Errors of A
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b. 18
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composition: Op. 10 No 6, Etude in E♭ minor
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In A (→FE→GE1→GE2→GE3→GE4) there is no category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Annotations in FES |
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b. 22
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composition: Op. 10 No 6, Etude in E♭ minor
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In the part of the L.H. A has two crotchets and a quaver, hence the bar has only five quavers. On the basis of the alignment of the notes to the R.H., it turns out that Chopin most probably overlooked the dots extending the first octave. The dots were added in a proofing of FE (→GE,EE). category imprint: Differences between sources issues: Rhythmic errors , Errors of A |
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b. 23
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composition: Op. 10 No 6, Etude in E♭ minor
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In the chord in the middle of the bar, Chopin overlooked the category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE , Accidental below/above the note , Last key signature sign |
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b. 35
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composition: Op. 10 No 6, Etude in E♭ minor
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In A there are no accidentals before the last note of each semiquaver group. These patent oversights were corrected in the editions: a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Errors of A , Authentic corrections of FE |
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b. 38
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composition: Op. 10 No 6, Etude in E♭ minor
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In A (→FE→GE1) the rhythmic values of the upper voice do not fill the 2nd half of the bar, as the d category imprint: Differences between sources issues: EE revisions , GE revisions , Rhythmic errors , Errors of A |
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