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Issues : GE revisions
b. 12
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composition: Op. 10 No 6, Etude in E♭ minor
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In this context the missing category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 15
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composition: Op. 10 No 6, Etude in E♭ minor
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The version of A may be the inadvertently left original edition of this bar (or maybe even of bar 7). In any case, a proofreading of FE – despite a possible error in the 2nd half of the bar – does not leave any doubts concerning the final intention of the composer. The natural returning f, which in FE is only before the penultimate note of the bar, was moved before the 7th semiquaver in GE and EE, which may render Chopin's intention accurately. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , Errors of A , Authentic corrections of FE |
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b. 18
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composition: Op. 10 No 6, Etude in E♭ minor
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In A (→FE→GE1→GE2→GE3→GE4) there is no category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Annotations in FES |
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b. 18-19
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composition: Op. 10 No 6, Etude in E♭ minor
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In A (→FE) Chopin omitted the naturals raising B category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Annotations in FES |
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b. 20
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composition: Op. 10 No 6, Etude in E♭ minor
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We add cautionary flats before b category imprint: Differences between sources; Editorial revisions issues: GE revisions |