GE1
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
compare
  b. 47-48

 in A

FE (→GE1GE2GE3)

EE

GE4 (→GE5)

In A the  hairpins clearly refer to short melodic connecting passages leading to the Neapolitan chord. In FE the marks were extended and their reference to the part of the R.H. is unsure. According to us, it is a result of the engraver's misunderstanding of the manuscript. In EE and subsequent GE,s, the mark in bar 48 was extended after bar 47.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in FE, EE inaccuracies

notation: Articulation, Accents, Hairpins

Go to the music

Original in: The University of Chicago Library, Chicago