Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 6, Etude in E♭ minor
We interpret the mark as a long accent due to its position over the note and lack of the preceding it mark. In the editions it was moved between the thirds of the upper voice, which was certainly performed by the engraver of FE.
Compare the passage in the sources »
category imprint: Graphic ambiguousness
issues: Long accents
notation: Articulation, Accents, Hairpins