Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 10 No 6, Etude in E♭ minor
In A (→FE→GE1→GE2,→EE2→EE3) there is no 
raising G
to G. This patent accuracy was corrected in FES and later editions.
In the sources the natural raising g to g is before the first sustained semiquaver in the bar. We move it before the 4th note, according to General Editorial Principles, p. 3.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Annotations in teaching copies, EE revisions, GE revisions, Omission of current key accidentals, Annotations in FES, Inaccuracies in A
notation: Pitch
