mUltimate Chopin

Op. 10 No 5, Etude in G♭ major

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Verbal indications

b. 1

composition: Op. 10 No 5, Etude in G♭ major

A

FE1

FE2

GE1

GE1a (→GE2→GE3→GE4→GE5)

EE2 (→EE3)

EE4
..

In the main text we give the title and dedication in the undoubtedly authentic version adopted in FE. The extensions of both the title (in GE and EE) and the dedication (in EE) most probably come from the editors. See the Etude in C major, No. 1, bar 1.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Dedications , GE revisions

b. 1-3

composition: Op. 10 No 5, Etude in G♭ major

in A

in FE (→GE,EE) 
..

The brillante and legato indications added by Chopin in a proofreading of FE (→GE,EE) in bars 1 and 3 respectively are considered by us as the final decision of the composer, as far as the articulation and sound of the figurations in the R.H. are concerned. The change should undoubtedly be related to the dynamic markings added in FE: leggierissimo does not rather correspond to the  dynamics.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 1-15

composition: Op. 10 No 5, Etude in G♭ major

No indications in A

, , cresc. in FE (→GE,EE)
..

All dynamic markings in bars 1-3, 5-6, 9-11 and 13-15 were added by Chopin in a proofreading of FE (→GE,EE). At the same time, it can be assumed that it was a change of the dynamic concept and not its clarification, which is proved by the parallel change of leggierissimo to brillante in bar 1 and reduction of the number of notes in the chords in bar 2 and analog.

category imprint: Differences between sources; Corrections & alterations

issues: No initial dynamic marking , Authentic corrections of FE

b. 1

composition: Op. 10 No 5, Etude in G♭ major

No indications in A

in FE (→GE,EE)
..

Both the verbal tempo indication and the metronome marking were added—undoubtedly by Chopin—during his proofreading of FE (→GE,EE).

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 17-19

composition: Op. 10 No 5, Etude in G♭ major

No indications in A

 & cresc. in FE (→GE) & EE4

cresc. in EE2 (→EE3)
..

Chopin added  and cresc. in a proofreading of FE (→GE). In EE2 (→EE3)  was overlooked. Cf. the adjacent note.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE