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Issues : EE revisions
b. 55-60
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composition: Op. 10 No 5, Etude in G♭ major
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Chopin added the pedalling in a proofreading of FE (→GE,EE). The omitted category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions , Authentic corrections of FE |
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b. 56
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composition: Op. 10 No 5, Etude in G♭ major
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In EE2 the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |
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b. 57-60
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composition: Op. 10 No 5, Etude in G♭ major
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In A Chopin provided with dots only the bass notes and only in bars 57-58, yet in a proofreading of FE (→GE1) he also added the dots under the chords (except for bar 58, which is certainly an oversight). In GE2 and subsequent and in EE the omitted signs were completed. Dots in the 2nd half of bar 59 are included in the variants of the last chord in this bar. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions , Authentic corrections of FE |
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b. 60
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composition: Op. 10 No 5, Etude in G♭ major
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As the 7th note FE has b category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , GE revisions , Annotations in FES |
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b. 65-66
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composition: Op. 10 No 5, Etude in G♭ major
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The meaning of the entry in bar 66 is unclear, although most probably it concerns simultaneous performance of the e category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED |