b. 69-74
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composition: Op. 10 No 5, Etude in G♭ major
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In FE (→GE,EE) the word cresc. was placed clearly earlier than in A on two occasions – at the end of bars 69 and 73. In the main text we reproduce the notation of A. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 69-70
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composition: Op. 10 No 5, Etude in G♭ major
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According to us, both the accents of A and the clearly longer marks in FE (→GE,EE) imply the same – long accents. It is proved by the marks added by Chopin in a proofreading of FE in analogous bars 73-74. category imprint: Graphic ambiguousness issues: Long accents |
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b. 72
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composition: Op. 10 No 5, Etude in G♭ major
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e3 as the highest note in this bar is probably Chopin's mistake in A, relatively common in the autographs of his works (cf. very similar situation in bar 24). In any case, while proofreading FE (→GE,EE), Chopin changed it to g3. category imprint: Interpretations within context; Differences between sources issues: Terzverschreibung error , Errors in the number of ledger lines , Errors of A , Authentic corrections of FE |
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b. 72-73
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composition: Op. 10 No 5, Etude in G♭ major
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Lack of the tie sustaining d2 in A is most probably Chopin's oversight. The tie was added in a proofreading of FE (inaccurately – the tie in bar 72 at the end of the line was omitted), it is also included in GE. The hold of this note is also indicated by the fingering added by Chopin in FED. In EE2 the tie was overlooked, which was corrected in EE3 (→EE4). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE , Errors in EE , Errors of A , Authentic corrections of FE |
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b. 72
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composition: Op. 10 No 5, Etude in G♭ major
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category imprint: Differences between sources issues: EE revisions , Errors in EE |