b. 62
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composition: Op. 10 No 5, Etude in G♭ major
category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 62-63
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composition: Op. 10 No 5, Etude in G♭ major
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At the time of proofreading FE (→GE,EE), Chopin changed the dynamic concept of these bars, which we include in the main text. In GE the word crescendo was divided into syllables and in EE the dashes determining the range of the indication were omitted. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 63-64
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composition: Op. 10 No 5, Etude in G♭ major
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In the main text we give the fingering written by Chopin in FED in the form adopted in our edition for this kind of situations. category imprint: Differences between sources; Editorial revisions |
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b. 63-64
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composition: Op. 10 No 5, Etude in G♭ major
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In FED at the beginning of bar 63 there are two very difficult to read entries made in pencil. The inscription over the part of the R.H. probably means rit., this interpretation seems to be confirmed with the deletion of poco rall. at the end of bar 64. Big, yet faintly sketched inclined letters could mean , but this reading is highly uncertain. It is also possible that the inscription is just another rit. In this situation, as the version of FED we give only rit. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations |
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b. 64
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composition: Op. 10 No 5, Etude in G♭ major
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According to us, it is not certain, whether Chopin fully controlled the relation of the cresc. added in a proofreading of FE and from A (the latter appears in FE at the beginning of the new page). Therefore, we suggest a possibility of adding a dim. category imprint: Editorial revisions |