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b. 41-42
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composition: Op. 10 No 5, Etude in G♭ major
category imprint: Differences between sources; Corrections & alterations issues: Differences in fingering , Authentic corrections of FE |
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b. 41-43
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composition: Op. 10 No 5, Etude in G♭ major
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The staccato dot at the beginning of bar 41 was added by Chopin – together with the dots at the beginning of bars 45 and 47 – in a proofreading of FE. In this situation, we consider the lack of the relevant sign in bar 43 as an oversight. The dot was also added both in GE and EE. Lack of the dot in GE3 in bar 41 is a patent error. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions , Authentic corrections of FE |
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b. 41
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composition: Op. 10 No 5, Etude in G♭ major
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The direction category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 43-44
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composition: Op. 10 No 5, Etude in G♭ major
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The fingering of A (→FE) in bar 44 was completed by Fontana in EE. Omission of the digit over the 4th note in bar 43 in GE is most probably a result of an oversight. The figuration in this bar requires a position of the hand whose fingering was changed by Chopin in bar 41. According to us, from the pianistic point of view, the extension of this correction's range is justified, therefore, in the main text we suggest two variants of the fingering. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in GE |
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b. 43-44
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composition: Op. 10 No 5, Etude in G♭ major
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Lack of the slur may be a result of distraction at the transition to the next page in A (on which there is not a single slur). Therefore, we suggest to add the slur on the basis of bars 41-42. category imprint: Editorial revisions |
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