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Issues : Authentic corrections of FE
b. 4
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composition: Op. 10 No 11, Etude in E♭ major
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The origin of the additional e category imprint: Differences between sources issues: Errors in FE , Errors resulting from corrections , Terzverschreibung error , Authentic corrections of FE |
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b. 6-7
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composition: Op. 10 No 11, Etude in E♭ major
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The slurs of A in these bars are inaccurate, which was only partially corrected in FE (→GE1). The ambiguity was eliminated in EE and – in a different way – in subsequent GE,s, yet Chopin did not participate in their elaboration. Taking into account analogous bars 14-15, in which Chopin probably corrected the slur, and 38-39, in which he combined the slurs in A, in the main text we suggest a continuous slur from the 2nd quaver in bar 6 to the middle of bar 8. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Inaccurate slurs in A , GE revisions , Authentic corrections of FE |
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b. 7-15
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composition: Op. 10 No 11, Etude in E♭ major
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The change of the inner note in the 4th chord in bar 7 from e category imprint: Interpretations within context; Differences between sources issues: Authentic corrections of FE , Omitted correction of an analogous place |
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b. 8
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composition: Op. 10 No 11, Etude in E♭ major
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A includes two category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Authentic corrections of FE |
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b. 9
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composition: Op. 10 No 11, Etude in E♭ major
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Lack of category imprint: Differences between sources issues: Authentic corrections of FE , Inaccuracies in A |