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Issues : GE revisions
b. 48-49
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composition: Op. 10 No 11, Etude in E♭ major
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In A Chopin did not check the notation of accidentals in these bars. In each of them the category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of FE |
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b. 52
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composition: Op. 10 No 11, Etude in E♭ major
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The correctness and authenticity of the version of A (→FE→EE3) are undeniable, therefore we adopt it in the main text. The version of GE (and EE4), in spite of the fact that from the pianistic point of view it seems to be more natural, may be attributed to the reviser, as Chopin's possible intervention in the shape of GE1 is highly unlikely. category imprint: Differences between sources issues: GE revisions , Authentic corrections of GE |
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b. 53-54
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composition: Op. 10 No 11, Etude in E♭ major
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In FE the category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , No pedal release mark |
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b. 53-54
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composition: Op. 10 No 11, Etude in E♭ major
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The forms of grace notes, different than the ones written by Chopin in A, are certainly a result of inaccuracy of the engravers of FE and EE. category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions , EE inaccuracies |