Pitch
b. 37-38
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composition: Op. 10 No 11, Etude in E♭ major
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In both bars Chopin changed the bottom notes of the chords on the 3rd quaver in a proofreading of FE (→GE,EE). He introduced similar changes in many other places both in A and proofreading of FE—cf. bars 17-21. category imprint: Differences between sources; Corrections & alterations |
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b. 37-38
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composition: Op. 10 No 11, Etude in E♭ major
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In A there are no flats lowering d2-d3 to d2-d3 in bar 38. The mistake was corrected in GE and EE. In bar 37 in FE a was overlooked before the lower note of the 4th chord, which was also corrected in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors of A |
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b. 39
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composition: Op. 10 No 11, Etude in E♭ major
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In the main text we suggest f1 on the basis of Chopin's possible correction in analogous bar 7. category imprint: Interpretations within context; Editorial revisions |
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b. 39
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composition: Op. 10 No 11, Etude in E♭ major
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We add cautionary flats before the 2nd chord. category imprint: Editorial revisions |
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b. 40
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composition: Op. 10 No 11, Etude in E♭ major
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Before the last chord in A there are no naturals returning c2 and c3. The accidentals were probably added only in the last proofreading of FE (→EE), as they are not included in GE1 (they were added in subsequent GE,s). category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of FE |