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Issues : GE revisions
b. 21-22
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composition: Op. 10 No 11, Etude in E♭ major
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In the main text we reproduce the range of the category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions |
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b. 23
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composition: Op. 10 No 11, Etude in E♭ major
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Three cautionary naturals before the 3rd quaver in the bar are present in A, yet they were removed in a proofing of FE (→GE1,EE3). It seems to be Chopin's mistake, as after d category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 25
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composition: Op. 10 No 11, Etude in E♭ major
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The wedge visible in A over the 1st chord in the R.H. was omitted in FE. In the remaining sources a dot was added here. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , Wedges |
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b. 25
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composition: Op. 10 No 11, Etude in E♭ major
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The sources differ in the combination of cautionary accidentals used in this bar. A (→FE) has a category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals , Last key signature sign |
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b. 25
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composition: Op. 10 No 11, Etude in E♭ major
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The arrangement of dolce in A suggests that it concerns the 2nd and subsequent quavers in the bar. However, in FE it was put already over the 1st quaver, which, according to us, is a result of a misunderstanding of Chopin's intention by the engraver. What is interesting is the fact that both in GE and in EE the hint was arranged after A and not FE. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |