Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 11, Etude in E♭ major
Between the 5th and 6th quavers in A one can see an unnaturally big gap and traces of deletion of something which had been written there. According to us, it could have been an originally envisaged additional chord, e.g., A-f-c1 in the L.H. and f1-c2-f2 in the R.H. It is striking that it does not seem that the deleted chord was supposed to be the last one in the bar, replaced then by another one – originally the bar included seven chords, the penultimate of which was eventually removed.
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A
notation: Pitch