Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 10 No 11, Etude in E♭ major
The omission of arpeggios in A (→FE) is probably a preview of the transition to the abbreviated notation used in subsequent bars. There is no doubt that Chopin did not want to change the notation here, not to mention the performance.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Inaccuracies in A
notation: Ornaments
